he collection starts with holiday dressing because escape is the first desire. But as the story moves deeper, escape becomes emotional protection. The flower becomes armour because softness itself becomes a way to survive, seduce, hide, bloom and defend. The collection starts with holiday dressing because escape is the first desire. But as the story moves deeper, escape becomes emotional protection. The flower becomes armour because softness itself becomes a way to survive, seduce, hide, bloom and defend. The collection starts with holiday dressing because escape is the first desire. But as the story moves deeper, escape becomes emotional protection. The flower becomes armour because softness itself becomes a way to survive, seduce, hide, bloom and defend. The collection starts with holiday dressing because escape is the first desire. But as the story moves deeper, escape becomes emotional protection. The flower becomes armour because softness itself becomes a way to survive, seduce, hide, bloom and defend. The collection starts with holiday dressing because escape is the first desire. But as the story moves deeper, escape becomes emotional protection. The flower becomes armour because softness itself becomes a way to survive, seduce, hide, bloom and defend. The collection starts with holiday dressing because escape is the first desire. But as the story moves deeper, escape becomes emotional protection. The flower becomes armour because softness itself becomes a way to survive, seduce, hide, bloom and defend. The collection starts with holiday dressing because escape is the first desire. But as the story moves deeper, escape becomes emotional protection. The flower becomes armour because softness itself becomes a way to survive, seduce, hide, bloom and defend.